|

Kevin Doyle
Andrei Dorenbaum (left) and Jake Wyatt want to make sweet
music for all by eliminating restrictions on consumer access
to online content.
|
Area entrepreneurs hear music, see
dollars
|
| 8/28/00 |
| By Steve Robblee |
Potomac region music lovers are
not waiting to see how legal controversies over file-sharing
services such as Napster and Gnutella will play out. Some of
them are creating their own businesses using the Internet to
improve music distribution.
Freeman Networks Inc., a Washington, D.C., company, was created
by two former employees of Baltimore-based AmericasDoctor.com
who share a hobby of downloading MP3 files.
The chief executive at Altavoz Inc. in Rockville, Md., held
several entertainment industry jobs but took a “sabbatical”
to learn about Internet data transmission technology so he could
apply it to the music business.
ETantrum Inc.’s founders wanted a way to keep track of all the
music they didn’t have time to find themselves. So they developed
technology to predict what they would like, and find it for
them.
File-sharing services such as Napster have been controversial
because they allow users to download songs without paying royalties
to the musicians or record labels that own the copyrights. Freeman,
Altavoz and eTantrum are seeking ways to disseminate popular
music without violating copyright laws.
The property rights of Napster “is not a debate we want to engage
in,” said Freeman Networks co-founder Andrei Dorenbaum. “What
we want to do is eliminate restrictions to consumers’ access
to the content.”
Bruce Fries, a Silver Spring, Md.-based author of “The MP3 and
Internet Audio Handbook” that was published in March, said big
record companies are leaving the door open for smaller players
to innovate in using the Internet as a music distribution source.
“They are sort of arrogant and slow to adopt to change,” Fries
said. “They’re worried if they start releasing catalogs in downloadable
format that is going to increase piracy.”
Freeman Networks founders Dorenbaum and Jake Wyatt are developing
a portable MP3 player that would also play advertising between
songs. The founders envision signing business partners who would
distribute the players as giveaways or charge a nominal amount.
The founders believe they could recoup the costs of the players
and more through the advertising.
Users would download the ads into their MP3 player at the same
time they are downloading the music. Freeman Networks would
also track the downloaded music to help advertisers better target
their messages.
The result would be similar to self-programmable radio — an
advertising-supported music service, but one that did not depend
on the whims of radio executives to decide a song play-list.
The business model is similar to that of companies that gave
away computers and Internet service for advertising. That service
hasn’t been widely popular, but Dorenbaum said it’s much cheaper
to give away an MP3 player. “In this case, the cost is well
below $100 in terms of manufacturing cost,” he said.
That means fewer commercials will be necessary — Wyatt estimates
about 90 seconds’ worth for every 10 minutes of music.
Both Wyatt and Dorenbaum are fans of downloadable digital music,
and each has more than 1 gigabyte of music stored on his computer
hard drive. They recognize that the advertising-supported MP3
player won’t be a hit with everyone, but it could lure many
college students and others who can’t afford to buy an MP3 player.
Altavoz and eTantrum both consider record labels as potential
business partners.
Altavoz is targeting relationships with independent labels to
give them the same distribution clout as the industry giants.
The company hosted its first Mars Day for “alien” — or non-mainstream
bands — on Aug. 16, 1999, which was broadcast over the Internet.
Chief Executive Nelson Jacobsen said he had the idea to broadcast
concerts over the Internet about three years earlier. He took
a job for a time at Allied Telecom Group LLC of Washington,
D.C., to better understand data transmission.
He expects the company to make available soon 4,500 songs from
310 record labels that visitors to the Altavoz Web site can
listen to. The songs will be free for promotional purposes;
however, unlike Napster, the music will not be available to
download.
But the marketing should help sell music, and demographic information
about listeners should help the recording companies better target
their audience, Jacobsen said. “We’re going to help record labels
predict where these bands should tour,” he said.
Altavoz made available the music of Soundgarden, Screaming Trees
and Squirrel Nut Zippers before each of those groups achieved
a national following, Jacobsen said.
He said the company has signed 400 stores so far for another
service that will allow music stores to download music and burn
CDs on request for customers. That will cut out the need to
ship inventory and will make alternative music more available,
particularly to the smaller, independent record stores that
Altavoz has focused on serving.
Fries, the MP3 handbook author, cautioned that major labels
could take a wait-and-see approach — allowing innovators to
establish methods to distribute music over the Internet and
then replicate the model. Companies that focus on creating proprietary
technology have better odds of success, he said.
Fries mentioned eTantrum of Herndon, Va., as one company with
a patent pending technology that could become popular. ETantrum
has developed a way to predict preferences for entertainment
media by monitoring individuals’ past behavior and using software
that — in the case of music files — analyzes and categorizes
music with similar properties.
“You might not realize they sound similar, but our software
does,” said Chief Executive Officer Jonathon Perrelli.
Perrelli, a former executive at UUNet, started developing eTantrum’s
technology with some techie friends because he didn’t have time
to sort through all the reggae music available on the Internet
to find what he liked best.
“Information overload caused us to say there’s just too much
chaos,” Perrelli said.
The company has raised $2.5 million so far in seed capital,
including $1 million from the founders. Perrelli said he is
on the hunt for $10 million more. The company was incorporated
in July 1999 and now has 32 employees.
ETantrum’s customers will be music providers who will use the
company’s technology to better target potential customers.
Fries said Napster’s popularity grew because people wanted free
music and because people wanted a way to sample music before
they purchased it. Perrelli, who was in the latter camp, believes
digital music over the Internet can become a great marketing
tool for record labels. “Personally I feel Napster has helped
people,” Perrelli said. “I have purchased a lot of CDs because
of Napster.” |
|
|